Award-winning Irish feature ONE HUNDRED MORNINGS set for New York Release
ONE HUNDRED MORNINGS, the award-winning Irish feature film written and directed by Conor Horgan and produced by Katie Holly for Blinder Films is opening for a limited week-long run from MARCH 25th at the RERUN THEATRE, Brooklyn, NY.ONE HUNDRED MORNINGS premiered at the Slamdance Film Festival in January 2010 and has since gone on to screen at many international film festivals, including Thessaloniki, Rev Fest in Perth, Dublin and Rhode Island, where it was also awarded. The film also won the extremely prestigious Workbook Project Discovery & Distribution Award in the US which was judged by an esteemed panel of US industry figures, and the prize saw the film get a week-long run in Los Angeles last September.
Starring Ciaran McMenamin (The Last Confession of Alexander Pearce, Primeval), Alex Reid (The Descent, Guinea Pigs) Rory Keenan (Intermission, Zonad), Kelly Campbell (Bachelors Walk, Sensation), the film also features the exceptional photography of DoP Suzie Lavelle, who won the Irish Film and Television Award for Best Cinematography for the film last year.
Described by Filmmaker Magazine as ‘haunting, lyrical..achingly humane' and by the Irish Times as ‘Excellent', you can view the trailer and see further reviews and information on http://www.onehundredmornings.com/. The film will run for a week from March 25th, with several screenings a day. Director Conor Horgan, star Kelly Campbell and producer Katie Holly be in attendance on opening night.
The film is due to hit Irish cinemas later this year.
ABOUT ONE HUNDRED MORNINGS
Set in a world upended by a complete breakdown of society, two couples hide out in a lakeside cabin hoping to survive the crisis. As resources run low and external threats increase, they forge an uneasy alliance with their self-sufficient hippie neighbour. With no news from the outside world they can't know how long they must endure living in such close quarters, and with such limited supplies.
Unspoken animosity fills the air, and a suspected affair is driving a wedge between them all. Poorly equipped to cope in a world without technology and saddled with completely conflicting worldviews, everything begins to disintegrate. Finally, each of them faces a critical decision they never thought they'd have to make.
The film was made under the Catalyst scheme and was financed by the Irish Film Board, the BAI, Filmbase with the support of the Film council and TV3.